Tom talks about his mom’s reaction to the airplane stunt.
Tom talks about his mom’s reaction to the airplane stunt.
Tom Cruise is in Colombia to film Mena and he met with Medellin’s mayor:
— Aníbal Gaviria C. (@anibalgaviria) August 22, 2015
— Aníbal Gaviria C. (@anibalgaviria) August 22, 2015
Hollywood star Tom Cruise met with the mayor of Colombia’s second largest city, Medellin, to discuss the filming of “Mena,” a film about Pablo Escobar.
“It was a friendly and productive meeting that lasted more than an hour,” Mayor Anibal Gaviria said, adding that Medellin Film Commission members and Dynamo Producciones executive Andres Calderon also participated in the gathering.
Cruise plans to “spend a few more days” in Medellin to “get some work done on the shooting” of “Mena,” the mayor said.
The 53-year-old actor thanked officials for their support and said he felt “comfortable” in the city, Gaviria said.
Cruise plays Barry Seal, an American pilot who worked for Medellin drug cartel leader Pablo Escobar and later became an informant for the U.S. Drug Enforcement Administration, in “Mena.”
“Cruise is living in Medellin. He’s gone to different restaurants to eat and has spent time with the people,” the mayor said.
The Hollywood star was impressed with the “beauty of the mountains” in Medellin, Gaviria said. “His comments about the city were positive and he has an extremely positive impression of Colombia.”
Cruise shared some ideas about how to turn Medellin into the “film industry capital of Latin America,” the mayor said.
News via Empire.
Jack Reacher, like Oblivion and Edge of Tomorrow, didn’t quite do the business expected of its megastar headliner Tom Cruise. A sequel, despite the obvious franchise potential of the multiple Lee Child source novels, wasn’t a foregone conclusion, although rumblings began in May that it was starting to look possible, with Ed Zwick in the director’s chair.
Now, with the success of Mission: Impossible – Rogue Nation reassuring everyone that Cruise’s mojo is still intact, studio Paramount are pushing ahead, with shooting on Jack Reacher 2 earmarked for November this year, for a release in late 2016.
Paramount are also keen to keep on striking while the Mission: Impossible iron is hot, with THR reporting that the studio want the sixth instalment shooting next summer, for a June or July release in 2017.
Back when Jack Reacher 2 was first mooted, the plan looked to be an adaptation of 2013’s Never Go Back, Child’s eighteenth Reacher novel. That plot would see Reacher heading back to his old military base in Virginia, to be charged with a violent incident and faced with a paternity case, neither of which transgression he remembers. Richard Wenk had been working on the screenplay, but it’s now being re-written by Zwick and Marshall Herskovitz. So the final thrust remains to be seen.
With Cruise and Doug Liman’s drug-smuggling DEA drama Mena almost wrapped but not due to come out until the beginning of 2017, we’re looking at a triple-whammy of Cruiser vehicles released in a single year. Is Paramount making a mistake, putting its faith in ’90s-style star power when, these days, it’s IPs rather than people that dictate box office? Tell us your thoughts on that in the comments section, why don’tcha.
Mission: Impossible – Rogue Nation has just been released (and not even everywhere yet!) and Mission: Impossible 6 is already getting a greenlight!
Paramount Pictures vice chairman Rob Moore is ready for more Ethan Hunt, strongly endorsing Tom Cruise’s recent announcement that “Mission: Impossible 6″ is in the works.
“We’re very happy to be developing this movie with Tom,” Moore told Variety. “There’s no question that Ethan Hunt deserves another film.”
The veteran executive was basking in the glow of a $121 million global opening for “Mission: Impossible — Rogue Nation” — $56 million in the U.S. and another $65 million from 40% of international markets. “The international brand is as strong as ever,” he added.
It was the first public comment by Paramount execs — who tend to take a measured approach in discussing future films. Even as “Rogue Nation” opened on Friday, the studio was insisting that its tracking showed a $40 million U.S. opening, even though the final figure turned out to be 40% higher.
Paul Dergarabedian, senior media analyst at Rentrak, said he’s not surprised that another “Mission: Impossible” is in the works.
“I think it’s very smart,” he added. “Given the performance of ‘Rogue Nation,’ there has to be another movie.”
Cruise revealed plans on Tuesday to return in the Ethan Hunt role for a sixth “Mission: Impossible,” asserting that shooting could start as early as a year from now.
“We’re starting to work on it now. We’ll probably start shooting it next summer,” he told host Jon Stewart on “The Daily Show.”
The previous four “Mission: Impossible” films have grossed a combined $2 billion at the worldwide box office. “Rogue Nation,” which carries a $150 million pricetag, is produced by Cruise along with J.J. Abrams, Bryan Burk, David Ellison, Dana Goldberg and Don Granger.
Christopher McQuarrie directed from a screenplay he wrote with Drew Pearce. Each “Mission: Impossible” has employed a different director. The previous films were directed by Brian De Palma, John Woo, Abrams and Brad Bird.
Cruise, 53, is currently shooting drug thriller “Mena” with Doug Liman directing. He also said during the show Tuesday that he’s discussed an “Edge of Tomorrow” sequel with McQuarrie and Liman, who wrote and directed the sci-fier, respectively.
Mission: Impossible – Rogue Nation reins at the box office. Via Collider.
Breaking a recent string of domestic disappointments for Tom Cruise, Mission: Impossible – Rogue Nation is off to a strong start. With an estimate of $56 million from 3,956 locations, M:I 5 now stands as the sixth-highest August debut in box office history.
There was a time when August at the box office meant one of two things: releases of questionable appeal, like The Expendables, or ‘smaller’ films, like The Help and Lee Daniels’ The Butler. In either category, August releases always had the chance to become hits. In fact, all three of the aforementioned titles were successful in their domestic runs. But they were rarely considered guaranteed winners. That’s why they were scheduled for August in the first place.
Of course, the August paradigm shifted in a big way last year with Guardians of the Galaxy. Though part of the uber-successful Marvel Cinematic Universe, GoG’s appeal was at least a question mark at the time of its opening. And what happened? A debut of $94.3 million (a new record for August) and a domestic total of $333.1 million – the third-highest grossing title of 2014. Influenced, in part, by Marvel’s success, Paramount chose the first weekend in August (the same frame that launched GoG) for Mission: Impossible – Rogue Nation.
Pre-GoG, August would have seemed an appropriate month to launch the latest Mission: Impossible title. The franchise had two giant summer hits with Mission: Impossible (1996) and Mission: Impossible II (2000), but hit a road bump with Mission: Impossible III in May 2006. That ended up as the lowest-grossing film in the franchise, with a domestic total of just $134 million. Five years later, Paramount chose to avoid summer altogether for the fourth M:I release – Ghost Protocol.
Ghost Protocol opened in December, as a platform release – a move that was hailed as visionary at the time. Starting in just 425 (primarily IMAX) locations, M:I 4 took in $12.7 million in its first weekend, or more than $30,000 per-screen. That initial release helped build word of mouth for the film, which ascended to first place when it expanded nationwide one week later. Ghost Protocol remained in first place the following weekend as well, falling just .5 percent from its sophomore frame. Among major studio releases, that stands as one of the more impressive holds in recent memory – aside from films that significantly boost their theatre counts. In fact, over the holiday season of 2011 – 2012, a period that had more than its share of major box office contenders, Ghost Protocol wound up as the one undisputed blockbuster, taking in over $200 million in North America alone.
With the M:I franchise reborn, expectations were high for Rogue Nation. Though Paramount claimed it was anticipating around $40 million this weekend, many others (myself included) believed the film would open much higher. This morning’s studio estimate has the film at $56 million – just short of Mission: Impossible II’s franchise-high debut of $57.8 million. Of course, it’s difficult to draw accurate comparisons between the five M:I titles and their respective box office performances. For one thing, it’s been 19 years since Mission: Impossible first hit theatres, so inflation is definitely a factor. Then there’s the fact that Ghost Protocol started in limited release and the first two films opened on weekdays. It gets confusing. What is clear is that Rogue Nation is off to a promising start in North America. And because the film is expected to earn as much as 70% of its worldwide total in international theatres, the future of the M:I series seems secure.
Review via Variety:
Just when Tom Cruise had been written off as an action star, he makes a triumphant comeback — at age 53 — with “Mission: Impossible — Rogue Nation.” The summer’s most entertaining popcorn movie not only eclipses “Avengers: Age of Ultron,” “Jurassic World” and “Mad Max: Fury Road” with its action sequences, it also brings to mind Cruise’s prime days (“Top Gun,” “Jerry Maguire,” etc.) on the Hollywood A-list.
Here are five reasons “Mission: Impossible 5” is the strongest film in Paramount’s 19-year-old spy franchise.
(1)It’s sleeker than any James Bond movie you can remember.
The first “Mission: Impossible,” which opened nearly two decades ago in 1996, was a standard bigscreen reboot of a TV show. But the franchise received a jolt in 2006 with J.J. Abrams’ “Mission Impossible 3,” which interwove the heart-pumping twists of “Alias” (season one) into a theatrical recipe that could give Daniel Craig as 007 a run for his money.
This new “Mission: Impossible,” directed by Christopher McQuarrie under Abrams’ Bad Robot Productions, ups the stakes at every level. Cruise not only dangles from an airplane in the opening sequence, he withstands multiple beatings from a villain known as the Bone Doctor (Jens Huten), goes for a terrifying dip in an underground water chamber, stops an assassination attempt at the Vienna opera, leads a car chase in Casablanca and commands a motorcycle ride through the winding roads of Morocco. If the Oscars gave a trophy for stunts, “M:I 5” would win it.
(2) The script lands on both feet.
Whereas story has never been a strong point of the “Mission: Impossible” movies, this isn’t a spy adventure that require CliffsNotes to follow along. In this installment, Ethan Hunt (Cruise) is battling a secret agency known as the Syndicate, run by Solomon Lane (Sean Harris, enjoying every moment of playing the villain). Hunt is aided again, of course, by his crew at IMF, which includes Simon Pegg (the perfect comedic foil), Jeremy Renner and Ving Rhames. McQuarrie, who also wrote the script, wisely keeps the narrative focused on the battle between good and evil, not letting any extraneous plot twists trip up his action.
(3) Cruise gets his sexy back.
Ever since he jumped on Oprah’s couch in 2005, Cruise has struggled to maintain his heartthrob persona. Thankfully, “Mission Impossible 5” finds him a leading lady — Swedish actress Rebecca Ferguson (of TV’s “The White Queen”) — who manages to re-awaken Cruise’s sex appeal. The two have the best chemistry for a Cruise movie since he romanced Renee Zellweger in “Jerry Maguire.” For all the praise for last summer’s “The Edge of Tomorrow,” one of the central flaws of the film was the lack any romantic spark between Cruise and Emily Blunt. Even though Ferguson is only 31, the age difference between her and Cruise isn”t noticeable or distracting, because she comes across as his equal.
(4) The leading lady carries half the movie.
Ferguson doesn’t just elevate Cruise, she also carries half the film, playing a spy who may or may not be on his side. She keeps up with every punch he throws or weapon he fires. Like Rosamund Pike in “Jack Reacher,” “Mission: Impossible 5” will be remembered as a breakout vehicle for its heroine. In another summer of action tentpoles that treat female characters as afterthoughts (see: “Avengers” or “Ant Man”), “M:I 5” gives us a female lead who shares equal screen time.
(5) “M:I 5″ is a throwback to how summer tentpoles should be.
Most action movies now are so serious, a byproduct of the Marvel universe, where superheroes sulk in their own darkness. And when “Jurassic World” tried to be a fun, it just came across as silly with its high-heel-wearing heroine played by Bryce Dallas Howard. But “Mission: Impossible 5” finds the right tone for a summer blockbuster. Its 131 minutes of escapist entertainment prove that not all sequels must be pale imitations of what comes before. This is the rare Hollywood franchise that only gets better with age.